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Schubert, Klavierstuck, D.946 No.1; Allegretto in c, D.915; Hungarian Melody in b, D.817. Mozart, Eine kleine Gigue, K.574. Haydn, Sonata in g, Hob.XVI: 44. Beethoven, Andante favori in F, WoO 57. Bach, Menuets I & II and Gigue from Keyboard Partita No.1, BWV 825; Prelude and Fugue in b-flat, BWV 867 from 'The Well-Tempered Clavier, Book I'. (Andras Schiff, piano. Recorded at Zurich's Tohnalle, after performances of Beethoven's Piano Sonatas)

BRO:
169646
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1 g
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BRO:
169644
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2 g
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Schumann, Six Etudes in Canonic Form, Op.56 {arranged for pedal piano by Theodor Kirchner}; Three Romances for Oboe and Piano, Op.94; Intermezzo from the F.A.E. Sonata {version for oboe d'amore and piano}; Sonata No.1 for Violin and Piano {version for cello and piano}. Holliger, 'Romancendres' for Cello and Piano. (Heinz Holliger, oboe and oboe d'amore. Anita Leuzinger, cello. Anton Kernjak, piano. )

BRO:
169639
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1 g
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BRO:
169636
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2 g
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BRO:
169425
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1 g
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BRO:
169424
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1 g
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BRO:
169423
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1 g
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BRO:
169419
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1 g
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Recorded at his home studio in 1986, 'No End' illuminates hitherto undocumented aspects of Keith Jarrett's music. He is heard here on electric guitars, electric bass, drums and percussion, overdubbing tribal dances of his own devising. 'Somehow, something happened during these days in the 80's that won't ever be repeated', he writes in his liner notes. There was really, to my knowledge, no forethought or composition in the typical sense going on; just a feeling or a rhythmic idea or a bass line concept or melody. None of this was written down'. Keith Jarrett, electric guitars, Fender bass, drums, tablas, percussion, recorder and piano.

BRO:
169417
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2 g
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BRO:
169416
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1 g
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BRO:
158700
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1 g
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BRO:
158376
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1 g
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BRO:
158373
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1 g
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BRO:
158372
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1 g
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BRO:
158371
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1 g
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BRO:
158370
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1 g
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BRO:
158369
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1 g
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BRO:
158244
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1 g
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